The Orchardist
Books | Fiction / Literary
3.6
(124)
Amanda Coplin
“There are echoes of John Steinbeck in this beautiful and haunting debut novel. . . . Coplin depicts the frontier landscape and the plainspoken characters who inhabit it with dazzling clarity.” — Entertainment Weekly“A stunning debut. . . . Stands on par with Charles Frazier’s COLD MOUNTAIN.” — The Oregonian (Portland)New York Times Bestseller • A Best Book of the Year: Washington Post • Seattle Times • The Oregonian • National Public Radio • Amazon • Kirkus Reviews • Publishers Weekly • The Daily BeastAt once intimate and epic, The Orchardist is historical fiction at its best, in the grand literary tradition of William Faulkner, Marilynne Robinson, Michael Ondaatje, Annie Proulx, and Toni Morrison.In her stunningly original and haunting debut novel, Amanda Coplin evokes a powerful sense of place, mixing tenderness and violence as she spins an engrossing tale of a solitary orchardist who provides shelter to two runaway teenage girls in the untamed American West, and the dramatic consequences of his actions. At the turn of the twentieth century, in a rural stretch of the Pacific Northwest, a reclusive orchardist, William Talmadge, tends to apples and apricots as if they were loved ones. A gentle man, he's found solace in the sweetness of the fruit he grows and the quiet, beating heart of the land he cultivates. One day, two teenage girls appear and steal his fruit at the market; they later return to the outskirts of his orchard to see the man who gave them no chase.Feral, scared, and very pregnant, the girls take up on Talmadge's land and indulge in his deep reservoir of compassion. Just as the girls begin to trust him, men arrive in the orchard with guns, and the shattering tragedy that follows will set Talmadge on an irrevocable course not only to save and protect them but also to reconcile the ghosts of his own troubled past.Transcribing America as it once was before railways and roads connected its corners, Coplin weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune. She writes with breathtaking precision and empathy, and crafts an astonishing novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in.
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More Details:
Author
Amanda Coplin
Pages
448
Publisher
Harper Collins
Published Date
2012-08-21
ISBN
0062188526 9780062188526
Ratings
Google: 3.5
Community ReviewsSee all
"4.5 stars (only taking off ½ of a star because it was a little slow at times). <br/>Let me start by saying: I listened to this book as an audiobook. This book is well outside of my usual genre but it was on sale and sounded good. I was surprised at how much I actually enjoyed this book. It was a little slow going so I don’t know that I would have appreciated it as much if I read it. However the narrator, Mark Bramhall, was absolutely perfect and gave an excellent performance. I think his delivery is part of what made it so good. I digress, despite being a little sluggish occasionally the character and environment building was fantastic. I feel like I could easily see the cabin, the orchard, the town, etc. By the end of the book I felt like I knew each of the characters as if they were real people in my life."
"Long book, slow, but it was so full of detail and I really enjoyed following along with Angelene’s life. I adored her and Talmadge’s relationship. I really fell in with the lonely, solitary life they were living. It was all around a lovely story that will make the reader feel like they really know the characters on such a personal level. Definitely recommend to those into historical fiction."
"The writing was great, but I didn’t much care for the story itself. It felt much too long and the spacing out of plot elements was strange to me—like certain sections were passed over, while others were lingered over in spite of very little actually happening.<br/><br/>By about page 300 I saw what the rest of the book was likely to be and just wanted to power through it and move on to something else. In that way it reminded me of The Light Between Oceans, which in my view was also about people making decisions that lead to unhappiness, and also about people not communicating. Aside from the orchard setting, I’d say silence between characters was the most prominent narrative tool.<br/><br/>Wish I had some kinder things to say, as many others seem to have really enjoyed this one."
B S
Bree Sarlati