Horror
Books | History / General
3.9
Brigid Cherry
Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the history of cinema. It continues to flourish with recent cycles of supernatural horror and torture porn that span the full range of horror styles and aesthetics. It is enjoyed by audiences everywhere, but also seen as a malign influence by others. In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer. Horror examines the way these films construct psychological and cognitive responses and how they speak to audiences on an intimate personal level, addressing their innermost fears and desires. Cherry further explores the role of horror cinema in society and culture, looking at how it represents various identity groups and engages with social anxieties, and examining the way horror sees, and is seen by, society.
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Author
Brigid Cherry
Pages
256
Publisher
Routledge
Published Date
2009-02-09
ISBN
1134049390 9781134049394
Community ReviewsSee all
"<strong>Would be better if fleshed out</strong><br/><br/>I sincerely love the premise of this story. It's the execution that leaves a lot to be desired. <br/><br/>First, the characters are all one dimensional. I realize with a short story, you don't have a lot of space to build complex back stories. But there wasn't even an attempt. Mc is a single mom. That's it. Father what'shisface is a pastor. Sandra is an old woman. That's all you get. <br/><br/>Everything feels really rushed,going way too quickly for the reader to even enjoy the scene. Nothing is explained or elaborated on. You get no sense of the plot impacting the characters in any way. They just go, 'oh, ok' and move on. And what little bit of characterization you get isn't even consistent."
S H
Sarah Huff