Bacchanal
Books | Fiction / Fantasy / General
3.8
Veronica G. Henry
Evil lives in a traveling carnival roaming the Depression-era South. But the carnival's newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come. Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It's a gift for communicating with animals. To some, she's a magical tender. To others, a she-devil. To a talent prospector, she's a crowd-drawing oddity. And the Bacchanal Carnival is Eliza's ticket out of the swamp trap of Baton Rouge. Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she's met her match in Eliza, who's only beginning to understand the purpose of her own burgeoning powers. Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.
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More Details:
Author
Veronica G. Henry
Pages
338
Publisher
Amazon Publishing
Published Date
2021
ISBN
1542027756 9781542027755
Ratings
Google: 4
Community ReviewsSee all
"I’m glad I’m on vacation so I was able to just keep reading! I loved this story…someone mentioned The Night Circus in their review and while I agree that there some elements of that in this, this story is completely it’s own. I love the African spirit world stories and this was no disappointment. I also love that this story was told from the POV of a young black girl, trying to find her way and make sense of her heritage as well as her present."
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Denise Dowden
"I do enjoy the circus or carnival as a backdrop for stories, though I wouldn't quite put this in the same class as Water For Elephants or The Night Circus. There is a solid cast of characters though, and I enjoy the little offshoot stories, reminds me of American Gods. One little qualm I have is that it describes Tulsa in the 30s as recovering from economic hardship, yet doesn't mention the massacre of 1921. Just seems very odd. "