Didn't Nobody Give a Shit What Happened to Carlotta
Books | Fiction / African American & Black / Urban & Street Lit
2
James Hannaham
Winner of the Hurston/Wright Legacy Award In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods. Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards, and often placed in solitary. In her fifth appearance before the parole board, Carlotta is at last granted conditional freedom and returns to a much-changed New York City. Over a whirlwind Fourth of July weekend, she struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid any minor parole infraction that might get her consigned back to lockup. Written with the same astonishing verve of Delicious Foods, which dazzled critics and readers alike, Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. The novel sings with brio and ambition, delivering a fantastically entertaining read and a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a prison system that continues to punish people long after their time has been served.
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Author
James Hannaham
Pages
352
Publisher
Little, Brown
Published Date
2022-08-30
ISBN
0316286427 9780316286428
Ratings
Google: 5
Community ReviewsSee all
"Girl flame Monroe being the voice of Carlotta made me giggle bc her way of talking with the narrator as if this was a memoir is so funny. This book is so funny and I love Carlotta’s positivity. And her ability to talk about her trauma while trying to make sure her best friend is okay when she trauma dumps. This book was well worth the wait!!! I’m impressed and I wish I could give this book a 10/5 bc it is that good"
"All that was promised and more. This was a very funny read. Several times, I had to explain to those around me why I was unable to control my laughter. The whole passage in which Paulie Famous is breaking down to Carlotta how his prayers to Jesus find him parking is golden. Interesting that the story set over the 4th of July weekend, while themes of freedom and independence, race, ethnicity, gender, gender identity, sexual orientation, and socio-economic status are explored and examined by our narrator and protagonist, Carlotta. <br/><br/>The narrator and protagonist are not one in the same. In fact, as we read the prose of our narrator's voice, Carlotta's very frequently breaks in with her own perspective or commentary on the circumstances at hand. Be warned that this can take some getting used to. I had to take my time understanding what was going on with the writing style at first, but it got to be second-hand the further I got into the book. Reading, you can tell when the voice suddenly shifts from our narrator to Carlotta because there will be a capitalized word starting a new sentence without a period or punctuation ending the previous sentence. Maybe this is due to the fact that Carlotta frequently seems to be interjecting into or interrupting the narration that's underway. She also speaks in a form of ebonics, to which it may take time to acclimate.<br/><br/>There also passages in which Carlotta describes the brutality of being raped while in prison, which some readers may struggle with more than the writing style.<br/><br/>Didn't Nobody Give A **** About What Happened to Carlotta... except I really did."
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Paul Garcia