The Return of the Native
Books | Fiction / Romance / Clean & Wholesome
3.8
(71)
Thomas Hardy
A Greek Tragedy in Form of a 19th-century British Novel“Of love it may be said, the less earthly the less demonstrative. In its absolutely indestructible form it reaches a profundity in which all exhibition of itself is painful.” - Thomas Hardy, The Return of the NativeEdgon Heath is a mystical place where life is not at all ordinary and simple. It is also the stage where the tragedy in The Return of the Native unfolds. And like any classical tragedy, the action revolves around a woman, goddess-like Eustacia Vye who searches for a way to escape the mundane. Will passion bring her relief? This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
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Author
Thomas Hardy
Pages
305
Publisher
Xist Publishing
Published Date
2015-07-30
ISBN
1681951754 9781681951751
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"My rating hovers somewhere between a 4-5. I was truly astonished by the way I ended up enjoying this book, after the first fifty pages were such a slog. Hardy’s style is more scintillating than the Victorian novels of his era, but still very much Victorian in description. (Yet perhaps I wouldn’t know, as most Victorian literature has not survived the test of time.) <br/><br/>I found myself, at times, lost amongst the Heath — descriptions of brambles and hillocks, acclivities, switch, whirlpools, and all are quite outside my experience as one locked in the natural-denying suburbia. The mix of naturalism and romanticism, yet the overall gossiping nature of Grecian tragedy eventually won me over — yet I have to wonder if Hardy’s true interests lie in the nature of a character going astray, and he uses natural description to cover up the baseless with impressionistic brush strokes. Once I became acquainted with Egdon Heath, I found myself amongst the humbler villagers, rather awestruck at the absurdity of elitist tragedy.<br/><br/>Though Eustacia Vye appears to be the villainess of this novel, and the creator of her own struggle — if she had been allowed to travel and employ herself as a man, I suppose the story wouldn’t have happened. And if Thomason had not feared for her reputation above all, she would’ve been able to be happy and well-matched from the beginning. And this is why we have done away with such things, but why we do not have such tragic tale-worthy stories. Yet you must be on the Heath when reading to understand such things.<br/><br/>In the end, I am happy for the reddleman, Diggory Venn - but to find out that Hardy didn’t want a happy ending, makes me wonder why. What is the point of reading a book if it is not the way the author intended? <br/><br/>I am sure to think of it every so often, until I forget."
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Abigail Spradlin