Savage Appetites
Books | True Crime / Murder / General
3.8
(567)
Rachel Monroe
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession.In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.
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More Details:
Author
Rachel Monroe
Pages
288
Publisher
Simon and Schuster
Published Date
2020-07-07
ISBN
1501188895 9781501188893
Community ReviewsSee all
"My standard procedure is not to give star ratings to books I don't finish, but I'm so annoyed by this book that I'm doing it anyway. Savage Appetites is a convoluted mess of a "true crime" book. The synopsis of this book sounds amazing, which is what drew me to it. <br/><br/>However, the back of the book says that it's a combination of personal narrative, reportage, and a sociological examination of violence and media. What this really means is that this book is a combination of judgmental opinions that would be better off on Twitter, the true crime stories, and a grad school thesis someone decided should be published. <br/><br/>The beginning of the book opens at CrimeCon, and I personally attended the same one the author was at. Yeah, fine, we're weirdos, but the intro makes it sound like the author didn't even want to go since it made her uncomfortable. The author has to let everyone know that she didn't post on social media with the CrimeCon hashtag; I guess so they we'll know she's not like "other girls""
"I accidentally stayed up all night devouring this engrossing, fresh take on women and our obsession with true crime. The four main stories covered were not ones I was familiar with—two of the four are peripheral people to crimes you may have heard of, but the way Monroe has structured the book makes it all work well together. <br/><br/>This is definitely a book that will stick with me beyond just this read. <br/><br/>A solid choice for my first #NetGalley!"