Trapped
Books | Fiction / Horror
4
(65)
J. A. Konrath
TERRIFIED... It was supposed to be a harmless camping trip. Six wayward teenagers who'd run into trouble with the law, and their court-appointed guardians, Sara and Martin Randhurst. Three nights on a small, deserted island off of Michigan's upper peninsula. A time to bond, to learn, to heal. Then Martin told a campfire story about the island's history. Of the old civil war prison hidden in there, and the starving confederate soldiers who resorted to cannibalism to stay alive. Everyone thought it was funny. They even laughed when Martin pretended to be dragged off into the woods. But Martin didn't come back. And neither did Sara when she went in search of him. Then the laughter stopped. ...TO DEATH The group soon began to realize that this deserted island wasn't so deserted after all. And perhaps Martin's ridiculous story had more truth to it than anyone thought. What's the most horrifying thing you can imagine? This is a hundred times worse... TRAPPED by J.A. Konrath It starts where other horror ends... If you are a more sensitive (or adventurous) reader, the Konrath scale rates specific categories from 1 (lowest) to 10 (highest) to give you some idea if this is your kind of book. TRAPPED by JA Konrath Scary - 9 Violent - 10 Funny - 2 Sexy - 2 Crossover - Characters also appear in the Jack Daniels and Associates Mysteries This novel was previous published by JA Konrath under the pen name Jack Kilborn. Joe got rid of Kilborn. May he rest in peace.
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Author
J. A. Konrath
Pages
330
Publisher
Independently Published
Published Date
2019-11-06
ISBN
1706117205 9781706117209
Community ReviewsSee all
"I remember being much more scared of this book when I first read it, but now as an adult, I found so much of it to be so unbelievable and the writing and dialogue to be so weak that the horror aspects didn’t hit as hard. I thought that the dialogue was cliche, cheesy, and stereotypical throughout the entire novel. I thought that the prose was very generic, and most of the paragraphs followed the same beats and patterns. You could very easily interchange some of the words in one section describing what’s happening with a character and have a different section that happens much further on in the book. It got incredibly boring to read after awhile, and I began to find all the twists and turns to be an inconvenience of sorts."